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	<title>Andrea Cadioli</title>
	<link>https://andreacadioli.com</link>
	<description>Andrea Cadioli</description>
	<pubDate>Sat, 01 Feb 2020 06:30:52 +0000</pubDate>
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		<title>SLICE IT!</title>
				
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		<pubDate>Sat, 01 Feb 2020 06:30:51 +0000</pubDate>

		<dc:creator>Andrea Cadioli</dc:creator>

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Slice It!

Visual Study Fall 2019 

@SCI-Arc taught w/Curime Batliner

	




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Student work by Aggarwal Aastha, 
Ahmed Mohamed Faris, Al-Ali Abdullah Tahseen, 
Alamoudi Aseel, 
Balster Kyle Ray, Bamohsen Bashayer Khalid, 
Bang Nikhil, 
Cai Yixuan, 
Celik Burak, Chen Wen, 
Chen Xianing, 
Chu Wing Yee, 
Chung Pun Tik Deedee, Cotruta Cristina, 
Fang Yutao,
Feng Shuo, 
Ghasemi Leila, Gong Yuhong, Gregory Jasper Nicole, 
Guo Yufei, Hoagland Allison, Hu Yingying, 
Huang Rui, 
Ikeda Mitsuki, 
Jin Yi, Kalaiselvan Dharsini, Kansagra Devangi Nitin, 
Khayati Mohamed Karim, Klinghoffer Jonah Riccardo, 
Kluzak Peter John,
Kng Ni Xin Carnation, Lee David Mo, Leising Robert Louis, 
Lewis Alexandros Stylianos, Li Lezi, 
Li Mofei, Liang Di, 
Lu Ilaria, 
Lyu Xinyu, 
Ma Shuai, Mann Hannah, 
Mi Yehong, Mukherjee Shayantani, 
Niu Yichen, Patel Heena Arunbhai, 
Perez Ignacio Rene, Piccone James Richard Jr, Rao Jinyu, 
Scheuermann Jordan Paul, Sekar Kovarthini, Seo Hakcheol,
Shih Yu, Shridhar Shreya,
Steffes Hans, Sultan Ahmad, Udayakumar Shivani,
Wang I Hsiang,
Wang Runhuan, Wu Kuan-Ting,
Zhang Wenxi,
Zhou Tianjian,
Zhu Zhaoqi



	Southern California Institute of ArchitectureFall 2019
Visual Study 4200



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"SLICE IT!" explores the potential of a gestural cut as a device for the production of dualities in a 2.5d surface canvas. With the use of parametric design softwares and programmed robots, the course operates in between scripted colors and formal iterations for the production of digital and physical artifacts that investigate optical effects and graphic.







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		<title>Hassel</title>
				
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		<pubDate>Sat, 01 Feb 2020 06:30:52 +0000</pubDate>

		<dc:creator>Andrea Cadioli</dc:creator>

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I listened to a lot of live music and bought a heap of records. One of the most important was by a musician I’d never heard of — a trumpeter called Jon Hassell. It was called Vernal Equinox. This record fascinated me. It was a dreamy, strange, meditative music that was inflected by Indian, African and South American music, but also seemed located in the lineage of tonal minimalism. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
It was a music I felt I’d been waiting for. (Brian Eno on Jon Hassell, from The Guardian, 2007)





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